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Beguines --- Pietà. --- Sculpture, Medieval --- Christian art and symbolism --- Art and religion --- Art et symbolisme chrétiens --- Art et religion --- 73.033.5 --- 73.033 <493> --- 73.034 <493> --- 271.961 --- Pieta --- 73.033/.34 --- 730 --- C3 --- 271.961 Begijnen. Begijnhoven --- Begijnen. Begijnhoven --- 73.033.5 Laat-Middeleeuwse beeldhouwkunst. Beeldhouwkunst van de gotiek --- Laat-Middeleeuwse beeldhouwkunst. Beeldhouwkunst van de gotiek --- 73.034 <493> Beeldhouwkunst van de renaissance; barok; rococo--België --- Beeldhouwkunst van de renaissance; barok; rococo--België --- 73.033 <493> Beeldhouwkunst in de Middeleeuwen--België --- Beeldhouwkunst in de Middeleeuwen--België --- Arts Sculpture --- Kunst en cultuur --- Pietà --- Monasticism and religious orders for women --- Third orders --- Beghards --- Brethren of the Free Spirit --- sculpting --- Sculpture --- compassion --- Pietà --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Christian religious orders --- Belgium --- Art chrétien --- Béguines --- Sculpture médiévale --- Histoire --- België. --- Sculpture [Gothic ] --- Netherlands [Southern ] --- Sculpture [Renaissance ] --- Jesus Christ --- Art --- Mary [Blessed Virgin ] --- Histoire. --- België --- Nederlanden --- beguines

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Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs.).

Sculpture --- sculpture [visual works] --- alabaster [mineral] --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Sculpture en albâtre --- Monuments funéraires. --- Histoire. --- Matériaux. --- M - Museum Leuven (Louvain, Belgique). --- Artistic techniques and materials --- Medieval sculpture --- Baroque & Rococo sculpture --- Renaissance sculpture --- 7 <09> --- 73 --- 73 Beeldhouwkunst. Sculptuur --- Beeldhouwkunst. Sculptuur --- 73 Plastic arts --- Plastic arts --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis --- Religieuze kunst --- Beeldhouwkunst --- Middeleeuwen --- sculptuur. --- albasten beelden. --- 1300 - 1650. --- Europa. --- sculptuur --- albasten beelden --- 1300 - 1650 --- Europa

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History of civilization --- History of Latin America --- Regional documentation --- Easter Island --- kunst --- Paaseiland --- Oceanië --- geschiedenis --- ontdekkingsreizen --- beeldhouwkunst --- moai --- sieraden --- gebruiksvoorwerpen --- wapens --- werktuigen --- 7.031.2 --- 919.7 --- Exhibitions

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Van Dijck, Bart ; Cielen, Fie ; de Jong, Folkert ; Ervinck, Nick ; Buggenhout, Peter ; Rogiers, Peter ;Breukers, Tim ; Cotteleer, Anton

Sculpture --- interviews --- onderzoek in de kunsten --- Buggenhout, Peter --- Rogiers, Peter --- Cotteleer, Anton --- Cielen, Fia --- Breukers, Tim --- Jong, de, Folkert --- Ervinck, Nick --- Dijck, Van, Bart --- kunst --- 7 --- 73.039 --- 73.071 AAAA --- 37 --- 7.01 --- 73.01 --- kunsttheorie --- beeldhouwkunst --- eenentwintigste eeuw --- kunstonderwijs --- Koninklijke Academie van Antwerpen --- Beeldhouwkunst --- beeldhouwwerken [beeldmateriaal] --- C3 --- beeldende kunst --- 575 --- 720.6 --- Kunst en cultuur --- Muziekfilosofie --- sculpture [visual works]

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Bergé, Jacques --- Sculpture, Flemish --- Bergé, Jacques, --- Criticism and interpretation --- Brussels (Belgium) --- Buildings, structures, etc --- 73 BERGE, JACQUES --- 73 <493> "17" --- 949.32 LEUVEN --- Flemish sculpture --- Beeldhouwkunst. Sculptuur--BERGE, JACQUES --- Beeldhouwkunst. Sculptuur--België--18e eeuw. Periode 1700-1799 --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Berge, Jacques --- -Criticism and interpretation --- -Buildings, structures, etc --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- 73 <493> "17" Beeldhouwkunst. Sculptuur--België--18e eeuw. Periode 1700-1799 --- 73 BERGE, JACQUES Beeldhouwkunst. Sculptuur--BERGE, JACQUES --- Bergé, Jacques, --- Criticism and interpretation. --- Buildings, structures, etc. --- Bergé (Jacques). --- 726.5 --- Geschiedenis van België: hertogdom Brabant--provincie Brabant--(reg./lok.)--LEUVEN --- Sculpture, Flemish - Belgium - Brussels - 18th century --- Bergé, Jacques, - 1696-1756 - Criticism and interpretation --- Brussels (Belgium) - Buildings, structures, etc --- Berge (jacques) --- Bruxelles (belgique) --- Architectes belges --- Biographie --- Constructions --- 18e siecle --- Bergé, Jacques, - 1696-1756